robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Could go back and have the senior year that i didn t have and write about what it is to be a high school student. i learned so much. the pop culture establishment, they don t know what s happening with kids right now. stacy, what are you waiting for? you re 15 years old. i did it when i was 13. it s no huge thing. it s just sex. these kids are having a super short adolescence. they re having sex years before you know they re having sex, and they re all working. it s fast food. it s fast adolescence. it s all disposable. and what are we doing to a generation that has to be adult at a younger and younger age. there are so many incredible people in the movie. a lot of careers get launched. judge reinhold to phoebe cates and jennifer jason leigh. who ordered the double cheese and sausage? right here, dude. in a cast full of soon-to-be stars, he gives the performance that everyone walks out of the
well, this piece is called lick my love pump . the idea was we were gonna do a mock documentary. we were gonna make a satire of a rock and roll band on tour. we basically had the tour outlined, but essentially, it was a very, you know, thin thumbnail sketch of what was gonna happen. the whole movie is improvised. do the dead bird. changes. get the dwarf cannolis, the little ones. okay. all right. i did the bird. come on, don t talk back, huh? mime is money. let s go. come on. move it. you had these brilliant performances by all of them, and then rob put it all together and made it sync. people didn t know what we were doing. they thought it was a real documentary, and when we first previewed it, people saw it and they said, why would you make a movie about a band that nobody ever heard of, and one that s so bad? working on a sex farm employing through your bean field let s say you look at a prospective movie and it s a square. rob reiner has a way of turning