come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
well, this piece is called lick my love pump . the idea was we were gonna do a mock documentary. we were gonna make a satire of a rock and roll band on tour. we basically had the tour outlined, but essentially, it was a very, you know, thin thumbnail sketch of what was gonna happen. the whole movie is improvised. do the dead bird. changes. get the dwarf cannolis, the little ones. okay. all right. i did the bird. come on, don t talk back, huh? mime is money. let s go. come on. move it. you had these brilliant performances by all of them, and then rob put it all together and made it sync. people didn t know what we were doing. they thought it was a real documentary, and when we first previewed it, people saw it and they said, why would you make a movie about a band that nobody ever heard of, and one that s so bad? working on a sex farm employing through your bean field let s say you look at a prospective movie and it s a square. rob reiner has a way of turning