Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
so he has a hit man kill her. martin landau realized it, like, i had woman killed and i thought i was gonna go to hell and nothing happened. whereas woody is constantly getting, you know, shit on by life, and he s just doing the right thing. you look very deep in thought. i was plotting the perfect murder. his writing is very wrong for strong for that reason. it always feels like he was thinking about some philosophical truths about human nature and says, oh, i want to write a movie about that. and i m talking about reality. i mean, if you want a happy ending, you should go see a hollywood movie. you realize, of course, that we could never be friends. why not? what i m saying is and this not a come-on in any way, shape or form is that men and women can t be friends because the sex part always gets in the way. nora ephron wrote when harry
you have the last emperor and you have rag time. and there was gandhi which came out in 1982. we must defy the british. a lot of people were rooting for et the extraterrestrial to win. but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a meditation on genius. i actually composed some variations of a melody of your. really? which one? i m flattered. a funny little tune but it yielded some good things. the protagonist of the movie is not mozart but solieri who is deficient. he doesn t have great art.
no, no i understand. it s really one of the greatest pieces of acting i ve enover ever seen in my life, that phone call. no cuts. lumet just goes, okay, here we go. so how s your life? oh, great. how s yours? not so great. oh, we re telling truth. the big chill, it s about these kids who were in college together in the late 60s and are now no longer anti-establishment but actually are part of the establishment and trying to reconcile that history with their present. movies aren t being made for adults. that s all the big chill is, really, it s an adult film, and it tries to be as complex as life is. i had wanted to make a movie about something i was observing among my friends. this imagined power we came out of college thinking we had was nonexistent.