come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
So he has a hit man kill her. martin landau realized it, like, i had woman killed and i thought i was gonna go to hell and nothing happened. whereas woody is constantly getting, you know, shit on by life, and he s just doing the right thing. you look very deep in thought. i was plotting the perfect murder. his writing is very wrong for strong for that reason. it always feels like he was thinking about some philosophical truths about human nature and says, oh, i want to write a movie about that. and i m talking about reality. i mean, if you want a happy ending, you should go see a hollywood movie. you realize, of course, that we could never be friends. why not? what i m saying is and this not a come-on in any way, shape or form is that men and women can t be friends because the sex part always gets in the way. nora ephron wrote when harry
you told me over and over again you d leave miriam. we made plans. i didn t. you did. i gave up things for you, business opportunities. oh, dreams. crimes and misdemeanors is two parallel stories, one of which is a very traditional woody allen and mia farrow relationship jokefest, and the other one which is a serious examination of literal life-and-death themes. a guy is having an affair, and she s threatening to tell his wife and threatening to disrupt his world, so he has a hitman kill her. martin landau realized, i had a woman killed and i thought i was going to go to hell, and nothing happened. whereas woody is constantly getting, you know, shit on by life, and he s just doing the right thing. you look very deep in thought. i was plotting the perfect murder.
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