come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
well, this piece is called lick my love pump . the idea was we were gonna do a mock documentary. we were gonna make a satire of a rock and roll band on tour. we basically had the tour outlined, but essentially, it was a very, you know, thin thumbnail sketch of what was gonna happen. the whole movie is improvised. do the dead bird. changes. get the dwarf cannolis, the little ones. okay. all right. i did the bird. come on, don t talk back, huh? mime is money. let s go. come on. move it. you had these brilliant performances by all of them, and then rob put it all together and made it sync. people didn t know what we were doing. they thought it was a real documentary, and when we first previewed it, people saw it and they said, why would you make a movie about a band that nobody ever heard of, and one that s so bad? working on a sex farm employing through your bean field let s say you look at a prospective movie and it s a square. rob reiner has a way of turning
Always kind of secretly dreamed of being and her humble, working-class upbringing would not allow her to be. but it s got serious points to make about women in the workplace. dress shabbily, they notice the dress. dress impeccably, they notice the woman. coco chanel. um, how do i look? you look terrific. you might want to rethink the jewelry. traditionally, it s, you know, the man that s holding you down, but in this instance, it turns out it s sigourney weaver. that she s been stealing all of tess ideas in order to further herself. while i was laid up with broken bones, she rifled through my desk, found my memo outlining a trask radio acquisition, and has been passing it off as her idea. it was my idea. the melanie griffith character shows that once she was given the opportunity to show that she was smart enough, she did. guess where i am? it s one of the greatest endings in the world. i m here in my own office with my feet up cause i made it.
About horror. it s about dread. from the very first frame, something grabs your solar plexus and pulls on it. nobody uses silence like stanley kubrick. mom! it was as if i had been in the overlook hotel for two and a half hours. he creates a pacing where it overtakes the way you re breathing and the way you re existing, and you re in there. in all kubrick films, he controls you. kubrick s steady cam work in the shining broke new ground. the steady cam gave stanley a chance to put us in a scene that didn t have any time constraints. you get so hypnotized being behind that tricycle. you don t even see his face. you re behind it, which leads to one of the scariest shots in the movie.
Differently and finding a way to enjoy it in a completely non-conventional way. he didn t fall? inconceivable. you keep using that word. i do not think it means what you think it means. the princess bride is a blend between romance, satire, adventure, swashbuckling. i mean, it s all mixed in and it s a very strange mixture. hard to capture. westley, what about the r.o.u.s.s? rodents of unusual size? i don t think they exist. ooh. you have to walk a balance, you know. it s a fine line between stupid and clever. beat it or i ll call the brute squad. i m on the brute squad. you are the brute squad. rob is a phenomenal director. his first movies, one after the other, beauties, and took risks and different genres. to be in three of them, i m really blessed. one half of the 80s was a lot of different styles of comedy being thrown at audiences.