Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
got deep into the alan ruck character, and matthew s character was the wise fool, but alan ruck was troubled by this evil father. that was really moving. here we are. i want to congratulate you for being on time. excuse me, sir? i think there s been a mistake. i know it s detention, but, um, i don t think i belong in here. the breakfast club is the teenage touchstone. it s a film that s about the tension of being a teenager and kind of knowing that people in other cliques don t really want to be your friend until you re locked in a room together. the first 20 minutes of the breakfast club is perfect filmmaking, the way that it s structured, the way the characters are introduced. it still is my favorite of the john hughes films, just because i think it s so unique and nothing like that had ever been done. so on monday, what happens? are we still friends, you mean? if we re friends now, that is. yeah.
there was the spoof comedy that became popular, whether that be airplane! or the naked gun . you had ensemble comedies like police academy. you had imports, crocodile dundee , which was an enormous hit. and three men and a baby. the other story of the decade is the rise of saturday night live as an influence on film. it s 106 miles to chicago. we got a full tank of gas, half a pack of cigarettes. it s dark, and we re wearing sunglasses. hit it. john belushi and dan aykroyd, they made up these characters with the pork-pie hat and dark glasses. they did the blues brothers on saturday night live and got a huge response. so we got to make the movie. saturday night live is such a specific place. people started realizing, like, oh, this is where you re gonna get quality comedy. so then you started wanting to see those people in movies. well, i tell you what. i m gonna clean this up. you good ahead, clean up a little bit. it looks fine to me. thanks for the dope.
character, just tears streaming down her face, and then her controlling it like that and getting it together and going forward. i m really struck by the courage that jim brooks showed in writing a character like that. the f14 is one of the most difficult planes to master. they re called tomcats. george, isn t the f14 tomcat one of the most difficult machines for a pilot to master? to have a film about the high integrity ideals of what it is to be a journalist and a woman in that business. it must be nice to always believe you know better, to always think you re the smartest person in the room. no, it s awful. the fact that that movie exists and always will is a gift. hi. wait a minute. wait wait wait a minute. i m new in town and i m awfully lonely. i wondered if you wouldn t mind buying me lunch. wait, wait, hold on. you can t co uh, uh, gregory, this it s okay. it s okay. george, george, george, george.
was humor to it, there was a liveliness to it, there was a nastiness to it. tom hulce is so fantastic in that film. do you have it? not too fast. do you have it? one thing the 80s does for us is it gives us some really remarkable filmmakers. you see talent is there immediately. these directors are going to go on and have long careers. in some cases, they re making small movies, but they get their start in the 80s. why don t you let me tape you? doing what? talking. about what? about sex. your sexual history, sexual preferences. steven soderbergh s sex, lies, and videotape is the coming-out party for one of the most prodigiously talented filmmakers ever. why are you doing this to yourself? you gonna answer me? no, please, don t do that. why not? no, really, don t, don t. why not? i just want to ask you a few questions. like, why do you tape women talking about sex, huh? that was a great example of