robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
About other things. blade runner is based on philip k. dick s novel do androids dream of electric sheep? and the central question of the novel is, what s the difference between humans and nonhumans? is harrison ford a human? can you fall in love with an android? she doesn t know. she s beginning to suspect, i think. the screen play was excellent. a rare entity. it told not only fascinating and different story, but, written and described as well. so, you could smell the movie. there isn t any director that can encode content into the visual presence like ridley can. so when you see the street markets it tells you that in
wesley, what about the r.o.u.s.s? rodents of unusual size? i don t think they exist. you have to walk a balance, you know? it s a fine line between stupid and clever. beat it or i ll call the brute squad. i m on the brute squad. you are the brute squad. rob is a phenomenal director. his first movies one after another, beauties, and took risks in different genres. to be in three of them, i m really blessed. one half of the 80s was a lot of different styles of comedy being thrown at audiences. there was the spoof comedy that became popular, whether that be airplane or the naked gun. you had ensemble comedies like police academy, imports like crocodile dundee, which was an enormous hit. and three men and a baby. the other is the rise of influence of saturday night live as an influence on film. 106 miles to chicago, we got a full tank of gas, half a pack of cigarettes, it s dark, and
Punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based
Years of preparation and eight months of production, the motion picture has been yanked from american theaters after only one day. heaven s gate took almost a year to complete. the director, michael chunino, whose deer hunter film was a great success, got a free hand. his producer said he was out of control. the result, a 3 1/2-hour bomb. heaven s gate is a stake through the heart of the auteur era in hollywood. it s the cautionary tale that s all about to say, no, no, the studio s going to step in here and this is not going to be another heaven s gate. and that s how you get the movies of the 1980s. you knew where you were when you first saw the empire strikes back. because it was the star wars movie that took the whole thing to a whole other level. star wars was huge but empire strikes back was phenomenal. these established characters, you saw them intermix in a way