what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
dammit, larry! that convoy of personnel carriers is still unaccounted for. i thought i told you to deal with it. and what the [bleep] is this mess? an empty desk is an efficient desk. terry gilliam s visual sensibility is so distinctive. there was an audacity to that movie that you rarely see. it arouses very strong reactions from people, and i that think that s what cinema should be about. it s exciting. it s stimulating. it makes us think. i m quite happy to have a film that does that. smart filmmakers can use genre as a trojan horse to talk about other things. blade runner is based on philip k. dick s novel do androids dream of electric sheep? , and the central question of the novel is, what s the difference between humans and non-humans? is harrison ford a human? can you fall in love with an android? she doesn t know. she is beginning to suspect, i think. suspect? how can it not know what it is? commerce is our goal here at tyrel.