robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
There was the spoof comedy that became popular, whether that be airplane! or the naked gun . you had ensemble comedies like police academy. you had imports, crocodile dundee , which was an enormous hit. and three men and a baby. the other story of the decade is the rise of saturday night live as an influence on film. it s 106 miles to chicago. we got a full tank of gas, half a pack of cigarettes. it s dark, and we re wearing sunglasses. hit it. john belushi and dan aykroyd, they made up these characters with the pork-pie hat and dark glasses. they did the blues brothers on saturday night live and got a huge response. so we got to make the movie. saturday night live is such a specific place. people started realizing, like, oh, this is where you re gonna get quality comedy. so then you started wanting to see those people in movies. well, i tell you what. i m gonna clean this up. you good ahead, clean up a little bit. it looks fine to me. thanks for the dope.
wesley, what about the r.o.u.s.s? rodents of unusual size? i don t think they exist. you have to walk a balance, you know? it s a fine line between stupid and clever. beat it or i ll call the brute squad. i m on the brute squad. you are the brute squad. rob is a phenomenal director. his first movies one after another, beauties, and took risks in different genres. to be in three of them, i m really blessed. one half of the 80s was a lot of different styles of comedy being thrown at audiences. there was the spoof comedy that became popular, whether that be airplane or the naked gun. you had ensemble comedies like police academy, imports like crocodile dundee, which was an enormous hit. and three men and a baby. the other is the rise of influence of saturday night live as an influence on film. 106 miles to chicago, we got a full tank of gas, half a pack of cigarettes, it s dark, and