robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
wesley, what about the r.o.u.s.s? rodents of unusual size? i don t think they exist. you have to walk a balance, you know? it s a fine line between stupid and clever. beat it or i ll call the brute squad. i m on the brute squad. you are the brute squad. rob is a phenomenal director. his first movies one after another, beauties, and took risks in different genres. to be in three of them, i m really blessed. one half of the 80s was a lot of different styles of comedy being thrown at audiences. there was the spoof comedy that became popular, whether that be airplane or the naked gun. you had ensemble comedies like police academy, imports like crocodile dundee, which was an enormous hit. and three men and a baby. the other is the rise of influence of saturday night live as an influence on film. 106 miles to chicago, we got a full tank of gas, half a pack of cigarettes, it s dark, and
His movies were always something to really look forward to because you knew that you would be entertained. and you knew that you would see some version of yourself or what you wanted yourself to be. i can t hide this. he ll have to deal with me. it got deep. even with something like ferris bueller s day off. he got deep into the allen ruck character. he was troubled by this evil father. that was really moving. here we are. i want to congratulate you for being on time. excuse me sir. i think there has been a mistake. i know it is detention, but, i don t think i belong in here. the breakfast club is the teenage touch stone. it is the film about the tension of being a teenager and kind of knowing that people in