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Transcripts For CSPAN3 American Artifacts Votes For Women Exhibit Part 1 20240712

Gallery. An exhibit marking the cen ten val of the 19th amendment using images of early suffrage leaders, miss lemay shows how the movement interacted with the abolitionist and tetraum presen movement. Welcome to the National Portrait gallery. Im kate lemay, the curator of votes for women, a portrait of persistence. For this exhibition i worked about 3 1 2 years researching and teaching myself this history and finding all the objects. In the exhibition we have 124 objects of which there are 63 portraits and i was hoping to commemorate the 19th amendment and tell the history of the 19th amendment and how women lobbied to get this amendment passed and ratified, but also ask questions about it and ask what does it do and what does it not do. And why 1965 and the vote rights act is considered another sort of part two of the 19th amendment. If youll follow me i will take you through the exhibition and show you a few objects that tell the history. Lets go. Were in the first gallery of the ex

Transcripts For CSPAN3 American Artifacts Votes For Women Exhibit Part 1 20240712

Of the 19th amendment. She shows how the movement intersected with the abolitionists and temperance movements. This is the first of a twopart program. Hi, everyone. Welcome to the National Portrait gallery as the smithsonian institution. Im Kate Clarke Lemay and im the curator of votes for women. For this exhibition, i worked about 3 1 2 years, researching, teaching myself this history and finding all the objects. In the exhibition, we had about 124 objects of which there are 63 portraits and in curating the exhibition, i was hoping to commemorate the 19th amendment and tell the history of the 19th amendment and how women lobbied to get this amendment passed and ratified. But also ask questions about it and ask what does it do and what does it not do . And why 1965 and the Voting Rights acts is considered another sort of part two of the 19th amendment . So if youll follow me, im going to take you through the exhibition and show you a few of the objects that tell this history. So lets g

Transcripts For CSPAN3 Lectures In History 19th-Century Artist Winslow Homer 20240716

Everybody. Welcome back to class. Good to see you after our long break of several days. As you recall, last time we were talking about american genre paintings. Specifically, William Cindy Mount William sidney mount and George Martin spencer. I think to be a bona fide genre painter back in the day, you had to have three names. Otherwise it didnt count. So in our class today we are going to talk about the greatest probably the greatest american genre painter, Winslow Homer, whose work began during the civil war. But to call homer a genre painter is like calling michelangelo a ceiling painter. I mean, that is not really he goes well beyond that. He is genre painting with a difference. He was born in cambridge, massachusetts, where harvard is, of course, right outside of boston. It was a little cap town, and a little cow town. Homer and his family had nothing to do with harvard. He was not in educated person, he never went to college or university. He was a townie to the harvard countys.

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