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Of the 19th amendment. She shows how the movement intersected with the abolitionists and temperance movements. This is the first of a twopart program. Hi, everyone. Welcome to the National Portrait gallery as the smithsonian institution. Im Kate Clarke Lemay and im the curator of votes for women. For this exhibition, i worked about 3 1 2 years, researching, teaching myself this history and finding all the objects. In the exhibition, we had about 124 objects of which there are 63 portraits and in curating the exhibition, i was hoping to commemorate the 19th amendment and tell the history of the 19th amendment and how women lobbied to get this amendment passed and ratified. But also ask questions about it and ask what does it do and what does it not do . And why 1965 and the Voting Rights acts is considered another so ....
Hi, welcome to the National Portrait gallery at the civilian institution. I am the curator of votes for women, a portrait of resistance. For this exhibition, i worked 3. 5 years researching, teaching myself this history, and finding all the objects. In this exhibit we have about 124 objects, including 63 portraits. In thisw exhibition, i was hoping to commemorate the 19th amendment and tell the history of the 19th amendment and how women lobbied to get this amendment passed and ratified. But also ask questions about it and ask what does it do and not do and why 1965, the Voting Rights act, was considered a part two of the voting amendment. I will show you a few of the objects that tell this history, so lets go. Were in the first gallery of the exhibition. And i mentioned we have portraits that drive the narrative, but i also wanted to include in the exhbitionj pieces of art ....
Go back to the very beginning of the semester and or second class. And remember we showed i showed you a clip of deliverance. And once we looked at deliverance i asked you to tell me what you think some of the types of that movie were, and we began a list a number of these stereo types. They were uneducated. And in one case, you know, they have the genetic efficiencies. They leave in poverty. Theyre uncivilized people. And there was one kind of positive image and that was described in deliverance. They were at least good musicians. Well, all of those scenario types that we observed in deliverance. And its not seen as unique for discovery of appalachian. Now one reason why youre going to see the emergent. Now, local literary con corner and its going popular. And its these people and were going to begin and what they are interested in, though, is not necessarily the landscape, the mountains, the forests, other kind of natural aspects. What theyre focusing on is the people. Theyre about t ....
Go back to the very beginning of the semester and or second class. And remember we showed i showed you a clip of deliverance. And once we looked at deliverance i asked you to tell me what you think some of the types of that movie were, and we began a list a number of these stereo types. They were uneducated. And in one case, you know, they have the genetic efficiencies. They leave in poverty. Theyre uncivilized people. And there was one kind of positive image and that was described in deliverance. They were at least good musicians. Well, all of those scenario types that we observed in deliverance. And its not seen as unique for discovery of appalachian. Now one reason why youre going to see the emergent. Now, local literary con corner and its going popular. And its these people and were going to begin and what they are interested in, though, is not necessarily the landscape, the mountains, the forests, other kind of natural aspects. What theyre focusing on is the people. Theyre about t ....