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Tim Burrowes to work with Diversified Communications and Mumbrella on new project

Tim Burrowes to work with Diversified Communications and Mumbrella on new project
mumbrella.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mumbrella.com.au Daily Mail and Mail on Sunday newspapers.

Tim burrowesDamian francisBrian wakelingDiversified communicationsMartin laneநேரம் பர்ரோஸ்டாமியன் பிரான்சிஸ்பன்முகப்படுத்தப்பட்ட தகவல்தொடர்புகள்மார்டின் சந்து

Mumbrellacast Interview: Hamish McKenzie explains why Substack won t be enabling advertising

Mumbrellacast Interview: Hamish McKenzie explains why Substack won’t be enabling advertising It’s not because we think advertising is evil, Substack founder Hamish McKenzie says. Rather, the company is really excited about the potential of subscriptions and direct payments as a way to support the kind of work that we hope to enable . July 27, 2021 9:30 New Zealand-hailing Hamish McKenzie co-founded Substack with the goal of helping journalists get paid for writing newsletters. McKenzie worked as a journalist in New Zealand, Hong Kong and the US, and is now based in LA. McKenzie – who has also worked for Tesla, and is the author of ‘Insane Mode’ about the arrival of the battery revolution – joins Mumbrella’s Tim Burrowes to chat about his departure from journalism and eventually creating Substack.

Back bayWestern australiaNew zealandHong kongHamish mckenzieKevin macleodMumbrella tim burrowesNew zealand hailing hamish mckenzieInsane modeTim burrowesSubstack proRetrofuture clean kevin macleodLounge kevin macleodCreative commonsமீண்டும் வளைகுடாமேற்கு ஆஸ்திரேலியா

Mumbrellacast Interview: Siimon Reynolds on returning to Australia and vaccine campaigns

Mumbrellacast Interview: Siimon Reynolds on returning to Australia and vaccine campaigns Mumbrellacast Interview: Siimon Reynolds on returning to Australia and vaccine campaigns There’s two things an ad campaign has got to do. It has got to inform and it has got to persuade. July 13, 2021 9:33 Siimon Reynolds became an industry personality for being the creative brains behind the 1987 ‘Grim Reaper’ advertising campaign, which warned the public of the growing threat of HIV and AIDS. He later went on to co-found Photon Group, now Enero (which owns BMF, the agency responsible for the Federal Government’s vaccine campaign), and recently returned to Australia after several years in the US.

Back bayWestern australiaTim burrowesKevin macleodSiimon reynoldsPhoton groupGrim reaperFederal governmentRetrofuture clean kevin macleodLounge kevin macleodCreative commonsமீண்டும் வளைகுடாமேற்கு ஆஸ்திரேலியாநேரம் பர்ரோஸ்கெவின் மக்ல்ந்ட்ஃபோட்டான் குழு

How Chris Janz s Blue Team saved The Age and The SMH

If journalism was to be saved, there were no playbooks to be found overseas. In the US, many city newspapers had already closed. Two-paper towns had become one-paper towns, and one-paper towns were being left without a paper at all. In part that was newspaper economics, although it was also exacerbated by the fact that many US papers were owned by debtladen companies. The only US papers that seemed to be healthy were The Washington Post, which was bought in 2013 by wealthy Amazon founder Jeff Bezos, News Corp’s Wall Street Journal, and The New York Times, which was cementing its position as the global newspaper of record in digital subscriptions.

New yorkUnited statesNew south walesUnited kingdomSurry hillsAntony catalanoChris janzAllen williamsJeff bezosTim burrowesJess rossDamian cronanDavid eismanWilliam hillGreg hywoodMatt rowley

Films made for Netflix look more like TV shows — here s the technical reason why

Films made for Netflix look more like TV shows here’s the technical reason why Films made for Netflix look more like TV shows here’s the technical reason why In this cross-posting from The Conversation, University of Notre Dame Australia lecturer in communications and media, Ari Mattes, looks at why the assumption that higher resolution is better, is not always true for films. July 8, 2021 9:29 by ARI MATTES The history of cinema as an art parallels its history as a technology. Ever wondered why the colour in The Wizard of Oz is so saturated? Well, it wasn’t the first technicolor film, but it was the first to effectively advertise MGM’s new 3-strip colour process to a global audience. Why advertise something at half mast?

United statesDavid fincherTim burrowesOlivia kruimelHermanj mankiewiczGary oldmanAmanda seyfriedLecturer in communicationsUniversity of notre dame australiaCannes film festivalNetflix originalOpen waterNew hollywoodEasy riderNotre dameCreative commons