Howatson + White launch first brand campaign for Allianz Australia
May 10, 2021 10:00
Allianz Australia has launched its new integrated brand campaign, ‘Behind you for what’s ahead’, the first work from high-profile creative startup Howatson+White, following the agency’s official launch in early March.
The work is the first creative execution of the new global brand refresh first flagged in October 2020 to promote the insurer’s purpose – ‘we secure your future’, and a new visual identity.
The new campaign from Allianz and Howatson+White
“We have been collaborating with our colleagues in Munich on this, and we have done extensive customer research and in-depth analysis on the business that has led to the development of the strategy,” said Allianz Australia general manager marketing, Sophie Finn, in an interview with Mumbrella ahead of the campaign launch. “We have co-collaborated at a global level on the development of the brand platform, and it has been a
APRA To Conduct Songwriting Seminars Across Regional New South Wales
APRA AMCOS will head to Tamworth, Wagga Wagga, Dubbo, Wollongong and Byron Bay for ‘The Regional Sessions’, a one-day songwriting event.
‘The Regional Sessions’ are designed to educate songwriters about the business as well as the art and craft of songwriting. Each event will feature some of Australia’s greatest songwriting talents including Jim Moginie (Midnight Oil), Gordi, L-FRESH the LION, Ashleigh Dallas, Alex Lahey and Zac Stephenson (Hockey Dad).
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Much as Cormac McCarthy did in The Road, David Michôd examines what would happen to society after a complete structural collapse in The Rover. What separates his film from the numerous what-if examinations of the genre known as post-apocalyptic is a focus on the human condition instead of setting. It’s not just that supplies are limited and legal repercussions a distant memory, it’s the question of how life goes on and what a world without basic commerce or laws does to mankind.
It makes it tough. The Rover is a bleak, brutal film; at times, its monotony can be draining. Ably aided by the jarring chords designed by composer Antony Partos (not unlike the unsettling work by Jonny Greenwood on There Will Be Blood ) and cinematography by Natasha Braier that always places our characters in the context of a bleak landscape, Michôd finds a tonal consistency in The Rover that makes its repetition forgivable, and even effective. It doesn’t let up because it shouldn t let up
Rams Review: Down Under Do-Over Injects Broad Comedy Into Icelandic Festival Darling Rams Review: Down Under Do-Over Injects Broad Comedy Into Icelandic Festival Darling
Sam Neill and Michael Caton star in this Australian remake of Grímur Hákonarson s 2015 Icelandic dramedy, amplifying the film s underlying humor.
Alissa Simon, provided by
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Director: Jeremy Sims
With: Sam Neill, Michael Caton, Miranda Richardson, Wayne Blair, Kipan Rothbury, Travis McMahon, Hayley McElhinney, Asher Keddie, Will McNeill, Asher Yasbincek, Leon Ford.
Running time: Running time: 119 MIN.
Ian Brodie
Nearly six years ago, “Rams,” a touching humanist drama from Iceland directed and written by Grímur Hákonarson, won hearts and prizes at the Cannes Film Festival. Now, in trots “Rams,” an Australian remake, directed by Jeremy Sims (“Last Cab to Darwin”). Adapted with winning cultural specificity by former newsman Jules Duncan, it’s longer and more bro