Treble clefs have no interest in racism or sexism. But today, even The Rite of Spring, were it submitted for a grant or commission awarded by panelists kept deliberately nameless, could face rejection for appropriating the culture of ancient Russian pagans. It would amount to nothing more than grist for grievance-studies academics
The new national cultural policy, Revive: A Place for Every Story, a Story for Every Place, seems to prioritise Australian arts infrastructure existing, large-scale national institutions and, of course, bureaucracies at the expense of independent artists and, even more so, of art itself
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