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The Last Bus Review: Even a Committed Timothy Spall Can t Enliven This Lifeless Drama

Margrete: Queen of the North Review: Trine Dyrholm Plays a Game of Thrones in a Lavish, Stately Historical Drama

La Dosis Review: Slow-Burn Thriller Imagines War Between Angels of Death in an ICU

Amundsen: The Greatest Expedition Review: An Authentic Arctic Adventure, But Mostly a Rather Icy Biopic

Amundsen: The Greatest Expedition Review: An Authentic Arctic Adventure, But Mostly a Rather Icy Biopic Amundsen: The Greatest Expedition Review: An Authentic Arctic Adventure, But Mostly a Rather Icy Biopic It doesn t romanticize the Norwegian explorer Roald Amundsen, but you wish this visually impressive yet slipshod drama brought him into focus. Owen Gleiberman, provided by FacebookTwitterEmail ©Samuel Goldwyn Films/Courtesy The famed Norwegian explorer Roald Amundsen led the first expedition to reach the South Pole (on Dec. 14, 1911), so when you watch “Amundsen: The Greatest Expedition,” you may think you’ve got a good idea of the movie you have in store: an adventure at once exciting and treacherous, set in the frozen wilderness, with a stoic Nordic hero at its center the kind of man who might have been played a few decades ago by Max von Sydow. “Amundsen” has scattered moments of tense physical drama, set against glacial Arctic vistas of fantastic authe

The Tunnel Review: Norway s Latest Disaster Movie Is a Horizontal Towering Inferno

The Tunnel Review: Norway s Latest Disaster Movie Is a Horizontal Towering Inferno The Tunnel Review: Norway s Latest Disaster Movie Is a Horizontal Towering Inferno Holiday travelers are trapped by smoke and fire in this well-crafted but uneven third recent Norwegian disaster thriller. Dennis Harvey, provided by FacebookTwitterEmail Director: Pål Øie With: Thorbjørn Harr, Ylva Lyng Fuglerud, Lisa Carlehed, Ingvild Holthe Bygdnes, Mikkel Bratt Silset, Per Egil Aske, Jan Gunnar Roise, Silje Breivik. Running time: Running time: 104 MIN. Courtesy of Samuel Goldwyn Films Though it will forever be associated with one brief mid-1970s heyday, the disaster-movie genre has made a stealth comeback in recent years, being a natural fit for a cinematic era dominated by CGI-laden action fantasies. Of course Hollywood has kept its hand in, with efforts like “San Andreas” and “Pompeii.” But there have also been parries as far afield as China, whose enjoyably ridiculous,

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