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This particular example suffers a bit from visual monotony, as most of it takes place in a French police office that’s notable mostly for its blinding array of overhead fluorescent lights. There, Chief Inspector Buron (Benoît Poelvoorde, a Belgian actor still best known in the States for starring in and co-directing 1993’s
Man Bites Dog) interrogates a murder suspect, Louis Fugain, who insists that he simply found a dead body outside his apartment building and phoned the authorities. In theory, the film’s narrative consists of a painstaking reconstruction of his actions on the night in question, which raised suspicion because A) a nosy woman in his building saw him leave it and return no fewer than seven times between midnight and dawn, and B) Fugain’s iron, of all things, was found beside the corpse, which had had its skull split open. Fugain has perfectly rational explanations for everything, though he decides not to take any chances with the

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