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The Best Movies of 2021 – Best New Films of the Year Rotten Tomatoes – Movie and TV News
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The story, written by the director, revolves around Thomas, a freelance journalist at
Le C
ourrier Picard who is profiling Usé, an unusual musician and a former candidate for the local elections in Amiens. As they are getting to know each other a little better, they stumble upon the lifeless body of Jojo, who comes back to life before their very eyes. Their lives are then turned upside downâ¦
Produced by
Frédéric Dubreuil for Envie de tempête Productions (which is partnering with the director for the sixth time on a feature of his),
Les braves has been pre-purchased by Ciné+ and has secured backing from the CNCâs advance on receipts, and from the Hauts-de-France (via Pictanovo) and Normandy regions. The 29-day shoot took place in Amiens and the Seine Maritime department, with
Keep an Eye Out Review: Quentin Dupieux s Police Procedural Is More Tame Than Transgressive
The Rubber director s first fully French production doesn t exactly find him at home.
Michael Nordine, provided by
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Director: Quentin Dupieux
With: Benoît Poelvoorde, Grégoire Ludig, Marc Fraize, Anaïs Demoustier, Orelsan, Philippe Duquesne, Jacky Lambert, Jeanne Rosa, Vincent Grass, Nahel Ange, July Messéan, Johnny Malle, Laurent Nicolas, Michel Hazanavicius, Pedro Winter.
In the pantheon of love-them-or-hate-them auteurs, Quentin Dupieux resides somewhere in the middle neither as provocative as a Gaspar Noé nor as clever in his absurdity as a Yorgos Lanthimos. His latest, “Keep an Eye Out,” isn’t actually his latest: Distributed abroad three years ago, its stateside release follows those of 2019’s “Deerskin” and last year’s “Mandibles.” Devotees of the French filmmaker (who also goes by Mr. Oizo) may find “Keep an Eye Out” worth the
Keep An Eye Out Critiques Our Social and TV Habits
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Things aren’t necessarily the way they look in ‘Keep an Eye Out’ Ty Burr © Dekanalog Benoît Poelvoorde (right) and Grégoire Ludig in Keep an Eye Out.
The films of France’s Quentin Dupieux are short and blissfully strange: Their subjects include a homicidal automobile tire (“Rubber,” 2010) and a fringed leather jacket with a God complex (“Deerskin,” 2019). They operate according to their own interior logic and they don’t care if you follow along, which makes them either maddeningly obtuse or good Dada fun, depending on your tastes. “Keep an Eye Out,” made before “Deerskin” but arriving now in a virtual screening at the Boston French Film Festival, the Brattle Theatre, and on demand, is Dupieux’s most pared-down effort yet a slapstick Kafkaesque comedy of bureaucracy and bloodshed.
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