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Mel Kendrick: Cutting Corners

In this rich, dense, and compact show, Mel Kendrick focuses on his generally solid, large, puzzle-like sculptures, most in his current signature tones of yellow and black, creating a dynamic continual exchange with scribbled surface-markings playing in contradistinction to weighty, muscular structures.
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United Kingdom , New York , United States , Raymond Duchamp Villon , Anthony Caro , Jenny Gorman , Conrad Marca , Lance Brewer , Marjorie Welish , Mel Kendrick , Cutting Corners , David Nolan Gallery , David Nolan , Conrad Marca Relli , Twin Locks , Contemporary Art , Rt Critic , Rt Books , Rt Reviews , Hong Bui , Rooklyn Art , Rooklyn Culture , Ew York Art Scene ,

Men and Machines - Artforum International

This week, the editors revisit Max Kozloff’s “Men and Machines” from Artforum’s February 1969 issue. The critic’s reflections on art and technology are best read alongside our summer issue, which contains writings on artificial intelligence by hannah baer, Mario Carpo, and Zoë Hitzig.“Comforting solipsisms do not forestall fear that our onetime extensions, the machines, are becoming our present competitors.” Written more than fifty years ago, Kozloff’s words ring with alarming prescience as staggering developments in generative AI portend the disruption and reorganization of human labor, knowledge, ....

Museum Of Modern Art , New York , United States , Vastra Gotalands Lan , Karl Kraus , Andy Warhol , David Smith , Kenneth Frampton , Moderna Museet , Jean Dupuy , Gerald Murphy , Man Ray , Ralph Martel , George Braziller , Francis Bacon , Mario Carpo , Pontus Hult , David Velasco , Jack Wesley Burnham , Jacob Epstein , Aleksander Vesnin , Ulf Linde , Vladimir Tatlin Monument For The Third International , Max Kozloff , Mechanical Age , Lawrence Cowing ,

Marcel Duchamp | Biography & Artwork

Marcel Duchamp, in full Henri-Robert-Marcel Duchamp, (born July 28, 1887, Blainville, France died October 2, 1968, Neuilly), French artist who broke down the boundaries between works of art and everyday objects. After the sensation caused by Nude Descending a Staircase, No. 2 (1912), he painted few other pictures. His irreverence for conventional aesthetic standards led him to devise his famous ready-mades and heralded an artistic revolution. Duchamp was friendly with the Dadaists, and in the 1930s he helped to organize Surrealist exhibitions. He became a U.S. citizen in 1955.






Although Duchamp’s father was a notary the family had an artistic tradition ....

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