In 2010, husband and wife artistic duo Sedrick and Letitia Huckaby purchased Sedrick’s grandmother’s home. A decade and a half later, it has come to be known as Kinfolk House, a site of remembrance and generative creation, a place with a personal and community history.
Suzanne McClelland has been exploring relationships among visual, written, and spoken language figures and their coded representation throughout her career as a painter.
Congolese-Belgian rapper, actor, and filmmaker Baloji’s first feature, Omen, elevates a dizzying storytelling full of magical realism, chromatic punch, rituals, and cultural superimpositions.
“In [Sonia Delaunay’s] studio,” a 1927 advertising flyer promised, “you will know that you are seeing something new, something that… will transform your life into a work of art.” Delaunay’s Paris atelier in the twenties was producing textiles, carpets, garments, movie sets, furniture, books, and paintings—everything a person might need for an artful existence and all made in the “simultaneous” (simultané) style that the artist developed with her husband, the painter Robert Delaunay.