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Richard Diebenkorn: Figures and Faces

Richard Diebenkorn’s oeuvre is often divided into an early Abstract Expressionist period (ca. 1947–55), a figurative or representational period (ca. 1955–66), and finally a pair of later abstract periods (ca. 1967–88 and 1988–92). As most of the works in Richard Diebenkorn: Figures and Faces are drawn from the middle years of 1955–1967—with an outlier watercolor of three brightly painted derbies from 1984—the Van Doren Waxter exhibition need not concern itself with any dramatic artistic evolution or turn. Instead, as the title suggests, the show primarily deals with Diebenkorn’s distillation of the human form.

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Suzanne McClelland with Nancy Princenthal

Suzanne McClelland has been exploring relationships among visual, written, and spoken language figures and their coded representation throughout her career as a painter.

Mel Kendrick: Cutting Corners

In this rich, dense, and compact show, Mel Kendrick focuses on his generally solid, large, puzzle-like sculptures, most in his current signature tones of yellow and black, creating a dynamic continual exchange with scribbled surface-markings playing in contradistinction to weighty, muscular structures.