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FIFTY ARTISTS. Three microphones. Two minutes each.With a program as unwieldy as a 2023 reprise of Jean Dupuy’s 1974 epic “Soup & Tart,” it’s really about what you remember, what sticks out. Earlier this month at MOCA Geffen, the poet Elaine Kahn showed up with her baby in arms. When it was her turn, she asked the audience for a diaper. A little commotion, people murmured and squirmed on their cushions, then a diaper was passed up front. Kahn squatted down and changed her kid, right there on the floor all in two minutes. That made an impression.Dupuy’s event, held at the Kitchen’s loft in TriBeCa ....
This week, the editors revisit Max Kozloff’s “Men and Machines” from Artforum’s February 1969 issue. The critic’s reflections on art and technology are best read alongside our summer issue, which contains writings on artificial intelligence by hannah baer, Mario Carpo, and Zoë Hitzig.“Comforting solipsisms do not forestall fear that our onetime extensions, the machines, are becoming our present competitors.” Written more than fifty years ago, Kozloff’s words ring with alarming prescience as staggering developments in generative AI portend the disruption and reorganization of human labor, knowledge, ....