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Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes, and the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became increasingly. Well, i certainly increasingly had the feeling that it wa ....
Naomi alderman, welcome to hardtalk. Thank you for having me. I want to start at the beginning. You were raised in a very traditional, observant orthodoxJewish Community in north london where, i think its fair to say, women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making ....
Women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes. And the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became ....
This is a fox news are let me begin tonight, we are monitoring in developing situation out of nyu in New York City where disruptive and the israeli protesters are now clashing with police. Were going to have more on this straight ahead tonight. Plus kalona crump stuck in new york in Criminal Court where it Bogus Political Witchhunt is now entering its second week and just one block away, a big win for President Trump in the new York Civil Court coming up, well help you keep track of the leafs lefts wholly weaponize Department Of Justice. Well talk to two people in the courtroom today and well get reaction from eric trump and her shockin ....
ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things, which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists, who are making really interesting work, more visible, and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to an exhibition. so an exhibition is a place where knowledge is exchanged. but most of the things we re talking abou ....