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such a contrast that it is a glorious day and people are wanting to spend time heading into the city centre, but they are faced with this, and they are just trying to go about their day. i5 this, and they are “ust trying to go about their day. this, and they are “ust trying to go about their day. is someone who also used to live about their day. is someone who also used to live in about their day. is someone who also used to live in nottingham, about their day. is someone who also used to live in nottingham, i - we have been meeting coming in. an update has just been posted we have been meeting coming in. an update hasjust been posted byjon welsh. he says that an eyewitness has said how he found a young man and a young woman being stabbed on ilkeston road, close to the junction at bright street at around 4am. he said that the man said that being a hot night i had the window open and ijust heard some awful bloodcurdling screams. it is often quite busy with peo ....
blackout, but unreliable fuel supplies could still cause communications blackouts. meanwhile, israel is still facing backlash to al aqsa hospital now where our correspondent yogita limaye has been working with freelance journalist majdi fathi to tell the story of one family brought there, including a young child who later died. and a warning there are distressing images from the start. monday in central gaza. shouting tuesday. he cries wednesday. thursday. and today, another air strike, all in so called safer areas, away from the north where israel is conducting ground operations and had asked civilians to evacuate. this family was bombed in deir al balah. we re being killed and no one is doing anything about it, this man shouts. abed is still breathing, in critical condition. doctors scramble to treat the boy. 0n the floor, by his bed, they check his father for a heartbeat. they can t hear it. his family in shock, still finding out. ..who s been rescued, who s surv ....
david amess. we can t live in a society where those who represent our views inside our democracy are exposed to that level of violence. and i m afraid that level of violence starts with a tolerance of the sorts of narratives we have seen projected towards people. so the sorts of narratives we have seen projected towards people. pro ected towards people. so there is projected towards people. so there is still quite projected towards people. so there is still quite a projected towards people. so there is still quite a jump projected towards people. so there is still quite a jump from projected towards people. so there is still quite a jump from toxic- is still quite a jump from toxic tweets to what you have described? look, i think thatjump is too great. because we now see we have seen for some considerable time, terrorist organisations formalising how they radicalise people through what i would describe as quite professional propaganda campaigns. islamic state a ....
ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things, which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists, who are making really interesting work, more visible, and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to an exhibition. so an exhibition is a place where knowledge is exchanged. but most of the things we re talking abou ....
lubaina himid, welcome to hardtalk. thank you. it s a great pleasure to be here at this exhibition, which you have curated. ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists who are making really interesting work more visible. and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stor ....