Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes, and the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became increasingly. Well, i certainly increasingly had the feeling that it wa
I think you know, think adventurous. Absolutely, that is why i think you know, think there adventurous. Absolutely, that is why i think you know, think there has i think you know, think there has been sort of false dichotomy when the theatre industry, but something think that, but it is the more you can work together, because ultimately, to put on shows, you need money, you need money up front because you need to pay everyone first before you can get the show on and celtics. First before you can get the show on and celtics and celtics. The only thing i would sa is the and celtics. The only thing i would say is the subsidised and celtics. The only thing i would say is the subsidised sector and celtics. The only thing i would say is the subsidised sector is say is the subsidised sector is there say is the subsidised sector is there to say is the subsidised sector is there to do a certain thing that the commercial sector is not there to do. commercial sector is not there to d0 sunni comm
Naomi alderman, welcome to hardtalk. Thank you for having me. I want to start at the beginning. You were raised in a very traditional, observant orthodoxJewish Community in north london where, i think its fair to say, women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for no
Women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes. And the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became