Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes, and the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became increasingly. Well, i certainly increasingly had the feeling that it wa
Naomi alderman, welcome to hardtalk. Thank you for having me. I want to start at the beginning. You were raised in a very traditional, observant orthodoxJewish Community in north london where, i think its fair to say, women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for no
Women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes. And the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became
government have mentioned in this have differential rates anywhere from seven days in one year, to 14 days in one year in sweden, 14 days in poland. some of them include support staff and technicians as well stop many do not. so on top of the 90 and 180 day rule that all british citizens now have to abide by, you have a layer upon layer of complexity, there is absolutely nothing new in this. just to be clear, previously when the uk was in the eu, musicians, artists, performers, could go travelling, do tour and underfreedom of freedom of movement of goods and services and people they were able to go and people they were able to go and do that without work permits and visas. now, what you are saying is they have to get in the individual permit and visa for each country they want to perform in? and visa for each country they want to perform in? each of the 27 have their want to perform in? each of the 27 have their own want to perform in? each of the 27 have their own sovereign - 27 h