Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
always kind of secretly dreamed of being and her humble, working-class upbringing would not allow her to be. but it s got serious points to make about women in the workplace. dress shabbily, they notice the dress. dress impeccably, they notice the woman. coco chanel. um, how do i look? you look terrific. you might want to rethink the jewelry. traditionally, it s, you know, the man that s holding you down, but in this instance, it turns out it s sigourney weaver. that she s been stealing all of tess ideas in order to further herself. while i was laid up with broken bones, she rifled through my desk, found my memo outlining a trask radio acquisition, and has been passing it off as her idea. it was my idea. the melanie griffith character shows that once she was given the opportunity to show that she was smart enough, she did. guess where i am? it s one of the greatest endings in the world. i m here in my own office with my feet up cause i made it.