Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
got deep into the alan ruck character, and matthew s character was the wise fool, but alan ruck was troubled by this evil father. that was really moving. here we are. i want to congratulate you for being on time. excuse me, sir? i think there s been a mistake. i know it s detention, but, um, i don t think i belong in here. the breakfast club is the teenage touchstone. it s a film that s about the tension of being a teenager and kind of knowing that people in other cliques don t really want to be your friend until you re locked in a room together. the first 20 minutes of the breakfast club is perfect filmmaking, the way that it s structured, the way the characters are introduced. it still is my favorite of the john hughes films, just because i think it s so unique and nothing like that had ever been done. so on monday, what happens? are we still friends, you mean? if we re friends now, that is. yeah.
you want the truth? yeah, i want the truth. i don t think so. the picture was saying to adults, what those characters are saying to adults is, please listen to me. my being upset because someone doesn t like me, or i don t have any friends or whatever, looks relatively insignificant to you, but it s really hurting me. it was so powerful because people were talking about shit that they didn t they never talked about. kids were not talking about dark stuff in school and with their peers. don t you forget about me there weren t a lot of movies that spoke to teenagers, and it s just really surprising because who doesn t want to see this incredible period of time in a person s life where they re just changing so rapidly? and to see something that you relate to, i think that s really why the john hughes films are still so important.
movies aren t being made for adults. that s all the big chill is really. it s an adult film, and it tries to be as complex as life is. i had wanted to make a movie about something i was observing among my friends. this imagined power we came out of college thinking we had was nonexistent. i know you wanna leave me. but i refuse. when it first came out, i thought, well, this will be for this generation. the children of the 60s, this will be very relevant, and then i would meet kids who were in high school 10 years after the movie came out, said, i love that movie. please don t leave me, girl, don t you go it s about friendship. it s also about growing up. there s something in its essence that is timeless and universal. i m marrying flap horton tomorrow. i thank god for flap for getting me out of here, and i think if this is your attitude, you shouldn t bother showing up at my wedding.