what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
It s michael dorsey, okay? your favorite client. how are you? last time you got me a job, it was a tomato. oh, no, no, no. yeah. no, no, no, no, no. swear to god. michael? yeah. oh, god, i begged you to get some therapy. tootsie s kind of an updating of the guy in the dress. you re taking a believable character and putting him in a fantastic situation, and yet the reason it works is because every single thing in that movie could really happen. we show you at the beginning, he s a great actor, he happens to be a pain in the ass, and then to prove to his agent that he can get work, he puts on a dress. it s almost like a play that s been performed enough so that they knew where the gems were. truthfully, don t you find being a woman in the 80s complicated? extremely. one of the hardest things to do in a comedy is to have a comedy climax and to have all your story threads come together at the same moment. i am not emily kimberly, the
i begged you to get some therapy. tootsie is an updating of a guy in the dress. you are taking a believable character and putting him in a fantastic situation. and yet the reason it works is because every single thing in that movie could really happen. we show you at the beginning, he is a great actor. he happen to be a pain in the ass. to prove to his agent he can get work, he puts on the dress. it is almost like a play that has been performed enough so that they knew where the gems were. don t you find being a woman in the 80s complicated? extremely. one of the hardest things to do in a comedy is have a comedy climax and have all of your story threads come together in the same moment. the daughter of dwayne and alma kimberly. the reckless brother of my