come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Daughter of duane and alma kimberly. no, i m not. i m edward kimberly, the reckless brother of my sister anthea. no! holy [bleep]! the climactic scene in tootsie is this incredible moment where the main story plot and then four or five different sub-plots all climax and turn on that one action. tootsie is what people want movies to be, and very few filmmakers invest the time and the sweat and the integrity to go all the way, which tootsie does. that is one nutty hospital.
It s michael dorsey, okay? your favorite client. how are you? last time you got me a job, it was a tomato. oh, no, no, no. yeah. no, no, no, no, no. swear to god. michael? yeah. oh, god, i begged you to get some therapy. tootsie s kind of an updating of the guy in the dress. you re taking a believable character and putting him in a fantastic situation, and yet the reason it works is because every single thing in that movie could really happen. we show you at the beginning, he s a great actor, he happens to be a pain in the ass, and then to prove to his agent that he can get work, he puts on a dress. it s almost like a play that s been performed enough so that they knew where the gems were. truthfully, don t you find being a woman in the 80s complicated? extremely. one of the hardest things to do in a comedy is to have a comedy climax and to have all your story threads come together at the same moment. i am not emily kimberly, the
Federal lawsuit against him in florida claiming that after an argument at a strip club known as tootsie s, they were in the car when hernandez pointed a gun at him, either intention ally o through gross negligence, pulled the trigger. according to his friend, mr. bradley, the bullet took out his right eye and required severe surgeries that is going to leave him disfigured for life. he s suing hernandez for a cash settlement in court. in february when this happened, local police investigated and bradley claimed not to know who shot him. and there s been ties of hernandez of his native bristol, connecticut. and had, quote, maturity issues.