Meteorologist Marty Coniglio and Amelia Earhart is here. We have a couple of high today. High winds warning out around wheatland, cheyenne, this goes all the way through tomorrow afternoon. They can see some wind gusts up to 25 Miles Per Hour. Were already getting 2050 foothills. Theres not a lot of action. Were not going to be tremendously windy in the metro area. If you get west of kipling today, it starts getting gusty. Were going to feel the warmth, mid to upper 50s around town. Colorado. We could even have a few of the foothill communities touching 50 degrees during the afternoon today. Jet stream keeps us warm today. By thursday into friday, we move in, and with it, snow. Mountain snow starts tomorrow morning. Goes on and off throughout the day. The mountains. Tomorrow, 14inch range. Well get additional snow coming up friday into saturday. We have light snow in our future as well. Well talk about that in a few minutes. Time to get out the door for you. Amelia has the latest on wh
You get to using less than or something. In the detail you see 13 thirty to fourteen 50 and it happened all of a sudden. You put on its glasses and suddenly you get this initialing up in the north and comes down south north is up and south is down and it was so striking that became convinced that within 10 years fourteen 35 suddenly all over europe its as if theyre able to do it seemingly without struggle before it was full of awkwardness but this has to do with a particular look as far as i am concerned stays in the event until 178940 and suddenly in 1839 a chemical photograph is invented so up until them whether it was kufrnd meters or obscured but suddenly it can be done on paper in 1940 people are saying paintings are deal because of the camera and suddenly theyre looking expressionism and all the things you cant capture with the camera like cubeism and awkwa awkwardness returned. This is what you see rather than what a camera lets you think you see what you see. Going back he begi
Authority on mr. Wexler to the stage thank you clapping thank you, everyone. So let me see if i can get this right laughter clapping menu e anyway, i was hoping to give you a little bit of a background to what youll see. Seems like a passion of davids that started in the 70s and really has a real breaking point in the early torres pr David Hockney toward the mid 70s was doing one painting after another this painting looking at masterpieces looking at the reconstructionist of masterpieces. Positive she an important operate of 3 people one of them has gotten up to the painting actually. This sort of thing, you know, famously cecelia and perrycy the cat those paintings one after another theres two or three portraits and he could have gotten into the sort of thing for the rest of his life and his dealers would have been popular but hes got a problem with the voice of one point prospective. Hes using photographs a good deal hell take photographs but photographs enforce a vice like one point
To be out in nature figuring out how to have more vandals. First, as those watercolors and generally speaking he leaves los angeles and goes to brifrltd ton his mother had died and the bedandbreakfast he took over and established a studio and had room for visitor and began portraying the fields of his summers. This was where he used to work when he was a young man 18years old. Its the fields hes scattered his mothers ashes in. He maintenance a home in california but hes back to first things and back to a painting. Over and over again hes trying to find ways for advantages. Its a series of watercolors and goes to the same place and one summer he does a series of water paintings. This is 6 oclock no longer and this is 10 in the morning. He wanted to do bigger pictures and almost always when he has a body of work its please a particular master at the constable made of english landscapes. Which we couldnt have been making in english landscapes. If you think that about you is a canvas it wi
Side you see this and that that is cube itching and navigate translated that to his opinions. This is one he doesnt in the midst of a can lodge he drives down and parks his car he sees this view when hes up her and if theres a view there walked through the whole house christopher has the view and all of those are a single imagine thats trying to be true to life. You have parallel bloom highway to give you some idea of how this is much trueer to life this is the stand photograph its this and thats what it is like to stop at a at the scene. You can imagine it take him days he stood on lards and, you know, walks on all over the place you about the result is his argument is something more true to life and some, some because a photographer pushes the life away from you. One of the things that happens in t in the pivot area of the 80s we need to get out of the straitjacket of that one point prospective but in television and billboards evidentially in our society is one point prospective and