To find ways for advantages. Its a series of watercolors and goes to the same place and one summer he does a series of water paintings. This is 6 oclock no longer and this is 10 in the morning. He wanted to do bigger pictures and almost always when he has a body of work its please a particular master at the constable made of english landscapes. Which we couldnt have been making in english landscapes. If you think that about you is a canvas it will blow away but to do them in the landscape and he develops an idea of having multiple can have you seen and a working on sections of them and taking it back to the studio and come back and a so forth and eventually getting things to look like this. Theres an area of 2 miles which after the Royal Academy show as hockney National Park people coming out to the park who believe its out of the way. One of the things thats would you have been new england its wonderful there are particular places for example, this place in the wood is three of those
You get to using less than or something. In the detail you see 13 thirty to fourteen 50 and it happened all of a sudden. You put on its glasses and suddenly you get this initialing up in the north and comes down south north is up and south is down and it was so striking that became convinced that within 10 years fourteen 35 suddenly all over europe its as if theyre able to do it seemingly without struggle before it was full of awkwardness but this has to do with a particular look as far as i am concerned stays in the event until 178940 and suddenly in 1839 a chemical photograph is invented so up until them whether it was kufrnd meters or obscured but suddenly it can be done on paper in 1940 people are saying paintings are deal because of the camera and suddenly theyre looking expressionism and all the things you cant capture with the camera like cubeism and awkwa awkwardness returned. This is what you see rather than what a camera lets you think you see what you see. Going back he begi
To be out in nature figuring out how to have more vandals. First, as those watercolors and generally speaking he leaves los angeles and goes to brifrltd ton his mother had died and the bedandbreakfast he took over and established a studio and had room for visitor and began portraying the fields of his summers. This was where he used to work when he was a young man 18years old. Its the fields hes scattered his mothers ashes in. He maintenance a home in california but hes back to first things and back to a painting. Over and over again hes trying to find ways for advantages. Its a series of watercolors and goes to the same place and one summer he does a series of water paintings. This is 6 oclock no longer and this is 10 in the morning. He wanted to do bigger pictures and almost always when he has a body of work its please a particular master at the constable made of english landscapes. Which we couldnt have been making in english landscapes. If you think that about you is a canvas it wi
Side you see this and that that is cube itching and navigate translated that to his opinions. This is one he doesnt in the midst of a can lodge he drives down and parks his car he sees this view when hes up her and if theres a view there walked through the whole house christopher has the view and all of those are a single imagine thats trying to be true to life. You have parallel bloom highway to give you some idea of how this is much trueer to life this is the stand photograph its this and thats what it is like to stop at a at the scene. You can imagine it take him days he stood on lards and, you know, walks on all over the place you about the result is his argument is something more true to life and some, some because a photographer pushes the life away from you. One of the things that happens in t in the pivot area of the 80s we need to get out of the straitjacket of that one point prospective but in television and billboards evidentially in our society is one point prospective and
Watercolors where you cant go back and correct. You cant do optical watercolors your hands immediately rernlz and you have to be focused and you cant go back and correct and hes trying to find ways to do it optical. He wasnt doing the drawings the way he thought but hes trying to be out in nature figuring out how to have more vandals. First, as those watercolors and generally speaking he leaves los angeles and goes to brifrltd ton his mother had died and the bedandbreakfast he took over and established a studio and had room for visitor and began portraying the fields of his summers. This was where he used to work when he was a young man 18years old. Its the fields hes scattered his mothers ashes in. He maintenance a home in california but hes back to first things and back to a painting. Over and over again hes trying to find ways for advantages. Its a series of watercolors and goes to the same place and one summer he does a series of water paintings. This is 6 oclock no longer and this