chance. and she did a great job. kelvin? in that moment where mary tyler moore comes downstairs and she asks her husband what s wrong. i don t know if i love you anymore. she goes upstairs and she s just there s something so moving to me about somebody who is so deeply repressed cracking open. that s where the dam breaks. she gets hit by some truth that she can t articulate. she s so taken aback, she can t adjust, she can t take it in. that s what that moment was about. then you look at some of these films of the 1980s like ordinary people and like blue velvet, those films are explicitly about how things look are not the way they really are. you have to understand this was when ronald reagan became president and the idea was that after all sorts of traumas, particularly watergate and vietnam, we healed, but as the public pronouncement is we re
you look very deep in thought. i was plotting the perfect murder. his writing is very strong for that reason. it always feels like he was thinking about some philosophical truth about human nature and says, oh, i want to write a movie about that. i m talking about reality. i mean, if you want a happy ending, you should go see a hollywood movie. you realize, of course, that we can never be friends. why not? what i m saying is and this is not a come-on in any way, shape or form, is that men and women can t be friends because the sex part always gets in the way. nora ephron wrote when harry met sally and got a lot of help from reiner writing the neurotic main character, and that s because he was based on rob reiner. every scene has to be good. you work and work and work torture yourself rewriting the script. i know nora, and i pitched this idea about the dance that people go through to get together after they ve both
good. you might want to rethink the jewelry. it turns out, it s sigourney weaver. and she has been stealing tess ideas. she went through my desk and has been passing it off as her idea. it was my idea. the melody griffith idea shows that once she was given the tumt to show how smart he is, she did. it s one of the great messages in the world. i m here, my feet are up because i made it. the perfect modern anchor is played by william hurt? how is it the star of the movie is neither the anchorman nor the network correspondent but an actress who many of you will never have seen until now. okay, bobbi.
everybody has dreams or thoughts, fantasies of going back in time somewhere. and he put it together for the modern age. you re telling me that you built a time machine out of a delorean? the way i see it, if you re going to build a time machine into a car, why not do it with some style? it s a mystery it was as big a hit as it was when it came out, but the bigger mystery is that it endured for decades. saturday night we re sending you back to the future. a simple idea which is what would it be like to see your parents when they were younger is something that is obviously multigenerational. jeez, you smoke, too? you re beginning to sound just like my mother. the only thing that was weird about the story, it s a boy going back in time and meeting
four of the biggest. moneymaking films of recent times have come from two young gifted filmmakers, george lucas and steven spielberg. they re friends as well, so it was inevitable those two would join talents and they now have in an adventure film to be released this week. george says, i have something called raiders of the lost ark. it s just an idea i have for a movie. he told me this idea about this sort of marauding archeologist adventurer with the hat and the whip and i committed to the movie based on one line george told me. larry, george and i sat around for three days and basically made up the story from beginning to end. there s a line in raiders that means a lot to me. in the beginning of an action sequence, they ve lost control of the ark of the covenant and indy says, no, i m going to get it back. and his friend says, how are you going to do it? i don t know. i m making this up as i go. that, to me, was what life was like. we just make it up as we go. indiana jo