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Doc Talk: Escher aesthetics, extremist extrication, homelessness in Hungary By Peter Keough Globe Correspondent,Updated January 27, 2021, 7:24 p.m. Email to a Friend M.C. Escher, Day and Night. ©M.C.EscherCompany B.V.-Baarn/Kino Lorber “I fear that there is only one person in the world who could make a really good movie about my prints: Me,” wrote M.C. Escher, the engraver of impossible objects, in 1969, as quoted in Robin Lutz’s inventive, wry, and enlightening “ M.C. Escher: Journey to Infinity.” Since Escher died in 1972, at 73, Lutz’s film will have to do. To enter the mind and understand the work of the artist Lutz employs a plenitude of Escher prints, many of them transformed into mind-boggling 3-D animation, as well as prickly and elucidating excerpts from the artist’s diary, lectures, and letters archly rendered by Stephen Fry’s voice-over narration.

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