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Review: A Black commune weighs the past, present and future in The Inheritance

Review: A Black commune weighs the past, present and future in The Inheritance Sarah-Tai Black © Provided by The LA Times Chris Jarrell, from left, Nozipho Mclean and Eric Lockley in the movie The Inheritance. (Grasshopper Film) What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present. With his feature-length debut film The Inheritance, the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, The Inheritance resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.

The Inheritance Review | Hollywood Reporter

A celebration of Black artists and revolutionaries, Ephraim Asili s debut feature was inspired by Godard s La Chinoise. Ephraim Asili calls his first feature-length film a remix of La Chinoise, Jean-Luc Godard s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating a critique and an homage at the same time, but you don t need to be familiar with the earlier work to appreciate The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.

Film Clips: Movies playing in theaters and at home

Here’s what’s playing — MARCH 12-18 — at in-person and virtual cinemas in the Berkshires and environs. Where films have been reviewed, the capsules include the name of the film critic and the day the full review was posted on berkshireeagle.com. All reviews are by Associated Press critics. ANOTHER ROUND (NR) From Danish director Thomas Vinterberg comes this drama/comedy about a group of middle-aged men who give their comfortable, predictable lives a fresh jolt by committing together to a kind of social experiment: They’ll stay mildly drunk all day every day, even during work hours. In Danish with English subtitles. 1 hour, 57 minutes.

The Inheritance review: The past weighs on a Black future

Print What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present. With his feature-length debut film “The Inheritance,” the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, “The Inheritance” resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.

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