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The Inheritance Review | Hollywood Reporter

A celebration of Black artists and revolutionaries, Ephraim Asili s debut feature was inspired by Godard s La Chinoise. Ephraim Asili calls his first feature-length film a remix of La Chinoise, Jean-Luc Godard s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating a critique and an homage at the same time, but you don t need to be familiar with the earlier work to appreciate The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.

The Inheritance movie review & film summary (2021)

For the most part, an “inheritance” left to you by an older relative or loved one is considered a personalized, even intimate, gift. An heirloom, perhaps, or a collection of items, or maybe even a certain amount of money, or a home some sort of one-to-one relationship between the person doing the giving, and the person doing the receiving. And Ephraim Asili’s feature-length debut film “The Inheritance” begins with that setup: a young man inherits a West Philadelphia rowhome left to him by his grandmother. But “The Inheritance” deliberately and thought-provokingly shifts from that singular definition of “inheritance” to a broader, more inclusive one that speaks to generational struggle, collective sacrifice, and the Black American experience. Asili experiments with cinematic form as he considers “inheritance” as legacy, heritage, and tradition, resulting in an engrossing, challenging film that allures and confronts you in equal measure.

The Inheritance Bridges Black Artist Collectives of Past and Present

The Inheritance Bridges Black Artist Collectives of Past and Present
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The Inheritance review: An ode to Black art and activism

The Inheritance review: An ode to Black art and activism
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