A celebration of Black artists and revolutionaries, Ephraim Asili s debut feature was inspired by Godard s La Chinoise.
Ephraim Asili calls his first feature-length film a remix of
La Chinoise, Jean-Luc Godard s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating a critique and an homage at the same time, but you don t need to be familiar with the earlier work to appreciate
The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.
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What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present.
With his feature-length debut film “The Inheritance,” the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, “The Inheritance”
resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.
For the most part, an “inheritance” left to you by an older relative or loved one is considered a personalized, even intimate, gift. An heirloom, perhaps, or a collection of items, or maybe even a certain amount of money, or a home some sort of one-to-one relationship between the person doing the giving, and the person doing the receiving. And Ephraim Asili’s feature-length debut film “The Inheritance” begins with that setup: a young man inherits a West Philadelphia rowhome left to him by his grandmother. But “The Inheritance” deliberately and thought-provokingly shifts from that singular definition of “inheritance” to a broader, more inclusive one that speaks to generational struggle, collective sacrifice, and the Black American experience. Asili experiments with cinematic form as he considers “inheritance” as legacy, heritage, and tradition, resulting in an engrossing, challenging film that allures and confronts you in equal measure.
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