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Lie Hard - It still wasn t enough [MOVIE REVIEW]

To call “Lie Hard” awful would be an insult to all those bad, mediocre movies that come out every year and quickly disappear. “Lie Hard” is actually a cut below…

Lie Hard Exclusive Clip Follows Actor Ian Niles Trying to Make a Good Second Impression on Actor Patrick Kilpatrick

Actor Ian Niles is realizing that he should be more mindful of his actions, especially of the lies he tells, as the consequences of his dishonesty makes a

Review: A Black commune weighs the past, present and future in The Inheritance

Review: A Black commune weighs the past, present and future in The Inheritance Sarah-Tai Black © Provided by The LA Times Chris Jarrell, from left, Nozipho Mclean and Eric Lockley in the movie The Inheritance. (Grasshopper Film) What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present. With his feature-length debut film The Inheritance, the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, The Inheritance resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.

The Inheritance review: The past weighs on a Black future

Print What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present. With his feature-length debut film “The Inheritance,” the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, “The Inheritance” resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.

The Inheritance review: An ode to Black art and activism

The Inheritance review: An ode to Black art and activism
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