CuriosityStream Announces Groundbreaking New Biomimicry Series Evolve In Production Now mobilitytechzone.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mobilitytechzone.com Daily Mail and Mail on Sunday newspapers.
The Great Escape season four
Korean formats have been some of the most successful globetrotters in recent years, and in the case of South Korean producer/distributor CJ ENM, it’s behind one of the biggies:
I Can See Your Voice (pictured). First airing in Korea in 2015, it’s a “music mystery” show in which celebrity judges need to identify good or bad singers without hearing them sing a note, and has been broadcast in 18 countries thus far, including the U.S. via Fox and the UK, on the BBC. The British version, produced by Naked and Thames, is off to a strong start, with 3.4 million tuning in for the third episode.
Beach House Pictures acquires majority stake in Vesuvius Pictures The Blue Ant Media company has also appointed Felix Feng (pictured) as general manager, Beach House Pictures China. January 26, 2021
Blue Ant Media’s Beach House Pictures has further expanded its business operations with the acquisition of a majority stake of Tokyo-based prodco Vesuvius Pictures and the appointment of Felix Feng as general manager, Beach House Pictures China.
Founded in 2012, Vesuvius Pictures credits include feature-length documentary
Samurai and Idiots – The Olympus Affair, an episode of
Dirty Money for Netflix, an episode of interactive web docuseries
Earn a Living for ARTE and VPRO, and Yosep Anggi Noen’s short film
Beach House Pictures Targets Japan, China Expansion lmtonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lmtonline.com Daily Mail and Mail on Sunday newspapers.
by Stephen Chapman
Brand-funded content is proving a “necessity” for cash-strapped broadcasters, according to a new report from Manchester-based media intelligence consultancy, K7 Media.
The pandemic has “turbo-charged” the move and has also accelerated a change in attitudes towards it.
The report, Brand Funded Programming: Why it Matters Now includes interviews with 26 industry experts from around the world.
“We’ve seen brands move away from traditional advertising for some time now, as consumers are engaging in a very different way. This shift in consumer behaviour, coupled with the effects of the pandemic on the TV industry, has seen brand funded programming benefit significantly,” explained report author and non-Executive Director Clare Thompson.