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Last modified on Mon 19 Apr 2021 14.31 EDT In one of the 15 monologues here, Juno Dawson observes that motherhood is still conflated with womanhood. It is a crucial point and this series is both a meditation on what it means to be a modern-day mother as well as a woman without children, and goes some way towards peeling the old conflation apart. Curated by Katherine Kotz as part of Battersea Arts Centreâs online season Wild Times, its mission is important, wide-ranging and well-represented. Morgan Lloyd Malcolm dramatises a busy motherâs relationship with her body (in a piece performed by Jenni Maitland and directed by Maria Aberg). Lemn Sissay reflects on judgments that adopted children can make of their birth mothers. Siggi Mwasote speaks in calm, clear tones about being a mother in an abusive relationship. Anya Reissâs A Letter to My Baby features a motherâs eloquent and honest message to her âbaby boyâ, performed by Tom Rhys Harries. An of ....
Last modified on Mon 15 Mar 2021 03.59 EDT Maria Aberg was having one of the busiest times of her 20-year theatre career when the pandemic hit. But a month after theatres closed last spring, she was almost ready to give up on being a director despite a sparkling track record. Much of it was down to the disappointment of an aborted season of European theatre she had conceived for the Royal Shakespeare Company, which meant years of work down the pan. “It was completely devastating,” she says. Aberg had begun preparing the RSC season, Projekt Europa, just after the EU referendum in 2016, and its focus on European theatre felt profoundly personal. “I’m a Swede who has lived in Italy, Berlin, Ireland and then in the UK for 20 years [she moved to London to study drama at Mountview]. I consider myself totally European. It was the culmination of years of interest and curiosity about European theatre-makers.” ....