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Last modified on Mon 19 Apr 2021 14.31 EDT In one of the 15 monologues here, Juno Dawson observes that motherhood is still conflated with womanhood. It is a crucial point and this series is both a meditation on what it means to be a modern-day mother as well as a woman without children, and goes some way towards peeling the old conflation apart. Curated by Katherine Kotz as part of Battersea Arts Centreâs online season Wild Times, its mission is important, wide-ranging and well-represented. Morgan Lloyd Malcolm dramatises a busy motherâs relationship with her body (in a piece performed by Jenni Maitland and directed by Maria Aberg). Lemn Sissay reflects on judgments that adopted children can make of their birth mothers. Siggi Mwasote speaks in calm, clear tones about being a mother in an abusive relationship. Anya Reissâs A Letter to My Baby features a motherâs eloquent and honest message to her âbaby boyâ, performed by Tom Rhys Harries. An of ....
Livestreamed performance of Outside at Orange Tree Theatre londontheatre1.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from londontheatre1.com Daily Mail and Mail on Sunday newspapers.
'Sindh's largest gallery' hosts maiden show tribune.com.pk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tribune.com.pk Daily Mail and Mail on Sunday newspapers.
Royal Court Theatre, London TO CONFRONT the travails of our time, the Royal Court has splendidly revived the theatre tradition of The Living Newspaper, developed from the early Soviet agitprop groups, through the documentary work of the US Federal Theatre Project in the years of the Great Depression and in the pre-war political work of London s Unity Theatre. Like their New York predecessor, the Royal Court Project will provide employment for the hard-pressed theatre profession, using 60 writers and over 200 freelance artists who are mounting promenade productions inside and outside the Royal Court theatre. Played to both a limited live audience and online, this is the first of six weekly editions which engage in a variety of styles including songs, interviews and sketches dealing with situations and attitudes addressing our Covid-19-fuelled anxieties, bewilderment and fears. ....
Last modified on Fri 11 Dec 2020 07.53 EST From an alleyway, I enter the Royal Court by a side entrance. The theatre has reopened after months of pandemic darkness but audiences are not invited to sit down and watch a show. In fact, the venue is no longer a theatre as we know it – because it has turned itself into a giant newspaper. The first question is why? And how does theatre correlate to the news, anyway? Both forms are in the storytelling business but one reveals the world through fiction while the other trades in the daily delivery of facts and informed opinions, surely? ....