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New Deal For Artists: an unearthed film on how arts funding should work

Royal Court announces reopening season beginning next month

© Helen Murray The Royal Court in west London has revealed a reopening programme of work taking it through until the end of 2021. Award-winning playwright Jasmine Lee-Jones will return with hit show seven methods of killing kylie jenner, playing from 16 June to 27 July 2021 and reopening the west London venue. Having previously premiered in the venue s upstairs space in 2019, the show now plays downstairs for six weeks, with Tia Bannon and Leanne Henlon starring. Plans for a digital capture are to be announced. Directed by Milli Bhatia, the piece s creative team features Rajha Shakiry (designer), Jessica Hung Han Yun and Amy Mae Smith (co-lighting designers), Elena Peña (sound designer), Delphine Gaborit (movement director), Jemima Robinson (associate designer) and Shereen Hamilton (assistant director).

Living Newspaper at the Royal Court Theater Stirs Up Stories of Our Time

News of Our Age Comes to Life in the Rooms of a Theater Tired of reading the headlines? You can watch artistic interpretations of the stories of our era by trailing actors in a Living Newspaper production, section by section. Letty Thomas, left, and Alana Jackson in “The Tree, the Leg and the Axe,” part of the Royal Court Theater’s “Living Newspaper” series of plays online.Credit.Helen Murray April 22, 2021 LONDON Have you had enough of wading through newsprint or scrolling online? The Royal Court Theater has a bracing online alternative that refracts current events through a vibrant and eclectic array of plays that give many of today’s hot-button topics a piquant spin.

How Covid Transformed US Theater

The Nation, check out our latest issue. Subscribe to Support Progressive Journalism The Nation is reader supported: Chip in $10 or more to help us continue to write about the issues that matter. Sign up for our Wine Club today. Did you know you can support The Nation by drinking wine? Eric Ting remembers the chill that passed through the room when someone coughed during the California Shakespeare Theater gala in March of last year. The annual fundraising event essential to the theater’s $5 million budget was celebrating a turning point for the 47-year-old company, where Ting became artistic director in 2015: He would announce that Cal Shakes was planning to move its offices and shop from Berkeley to downtown Oakland, showing that “where we make our home reflects our priorities,” and he would describe ways the company would be collaborating with community partners. “It was kind of a seminal moment,” Ting says.1

The Living Newspaper at the Royal Court — not quite the finished article

The Living Newspaper, Edition 4Royal Court, online★★★I’ve always liked agit-prop theatre, stagings that are rough-and-ready round the edges, but which directly and angrily address the issues of today

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