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Movies reviewed: 'Dear Comrades!' and '17 Blocks'


Dear Comrades! Photo: Courtesy Roxie Theater
Retirement isn’t for everyone least of all, it seems, for film directors. Roman Polanski wrapped 2019’s
J’Accuse when he was 86 (whether, as suggested, it’s his last feature remains to be seen); Jean-Luc Godard directed his most recent film at 88, and Portuguese filmmaker Manoel de Oliveira put them both to shame by working into his 104th year.
In comparison, Andrei Konchalovsky is a sprightly youngster. His brief and only marginally successful Hollywood career now well in the rear-view mirror (remember
Tango & Cash and
Dorogie tovarishchi (
Shot in academy ratio and in black and white, ....

United States , Rostovskaya Oblast , Davy Rothbart , Cheryl Sanford , Jean Luc Godard , Roman Polanski , Andrei Konchalovsky , Svetka Yuliya Burova , Lyuda Syomina Julia Vysotskaya , Red Army , Courtesy Roxie , Manoel De Oliveira , Virtual Roxie , Lyuda Syomina , Julia Vysotskaya , World War , Yuliya Burova , Great Patriotic War , Rialto Cinemas Elmwood , ஒன்றுபட்டது மாநிலங்களில் , டேவி ரோத் பார்ட் , செரில் சான்ஃபோர்ட் , ஜீன் லூக் கோடார்ட் , ரோமன் பொல்யாந்ஸ்கீ , சிவப்பு இராணுவம் , மரியாதை ரோக்ஷிஎ ,

Small Screen Berkeley: 'Identifying Features' and 'Mayor'


Identifying Features. Photo: Courtesy Kino Lorber
If you read my ‘Favorite Films of 2020’ column late last year, you know how much I admired my number one film,
Buoyancy. A bleak tale of 21st century slavery in Southeast Asia, the film depicted terrible events in fraught scenes that wouldn’t seem out of place in a horror film.
Though taking place half a world away, I couldn’t help but be reminded of
Buoyancy as I watched
Sin señas particulares (
Identifying Features, streaming via the Virtual Roxie and Pacific Film Archive). Despite being a neo-realistic examination of 21st century life in what we still disparagingly refer to as ‘the developing world’, the film successfully adapts horror genre tropes to an otherwise grimly believable tale. ....

United States , West Bank , Ramallah Christmas , Fernanda Valadez , Terry Riley , Miguel David Illescas , Musa Hadid , Clarice Jensen , Magdalena Mercedes Hern , Identifying Features , Courtesy Kino , Favorite Films , Southeast Asia , Virtual Roxie , Pacific Film Archive , Mercedes Hern , David Illescas , Courtesy Pacific Film , ஒன்றுபட்டது மாநிலங்களில் , மேற்கு வங்கி , ரமல்லா கிறிஸ்துமஸ் , பெர்னாண்டா வாலடெஸ் , டெர்ரி ரைலி , மூசா ஹதித் , தெளிவு ஜென்சன் , ம்யாக்டேலீந மெர்சிடிஸ் ஹெர்ன் ,

Berkeleyside film writer John Seal's 16 favorite movies of 2020


Buoyancy. Photo: Courtesy Kino Lorber
It’s the time of year when I normally start to experience warm, nostalgic feelings for the previous 12 months. Conversely, as  New Year’s Day draws near, a feeling of dread descends: surely the next year will be unimaginably awful, making the previous one look like the proverbial garden party in comparison.
Boy, I hope I’m wrong about 2021, because in 2020 the only garden party of note was the super-spreader event celebrating Amy Coney Barrett’s nomination to the Supreme Court. It’s hard to imagine a worse year than the one we’re about to leave behind … but at least we had some good films to distract us from the pandemic, the President, the lightning siege and the rest. ....

New York , United States , New Rochelle , Lester Bangs , Amy Coney Barrett , Sonia Braga , Sidney Flanigan , David Thewlis , Las Vegas , Ken Loach , Udo Kier , Ellis Haizlip , Eliza Hittman , Suzi Quatro , Jodie Foster , Supreme Court , Courtesy Kino , New Year , Southeastern Asia , Nose Empty Pockets , Rarely Sometimes Always , New York City , Never Rarely Sometimes Always , Sometimes Always Never , Kino Lorber , Channing Godfrey ,