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2021 films of the year: Herself, The Lost Leonardo, Our Ladies and more

2021 films of the year: Herself, The Lost Leonardo, Our Ladies and more
theweek.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theweek.co.uk Daily Mail and Mail on Sunday newspapers.

2021 films of the year: Free Guy, The Courier and more

2021 films of the year | The Week UK

2021 films of the year | The Week UK
theweek.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theweek.co.uk Daily Mail and Mail on Sunday newspapers.

Dear Comrades! Is the Story of Two Russian Families and a Century of Terror

Save this story for later. Andrei Konchalovsky’s “Dear Comrades!,” Russia’s entry this year for the Academy Award for Best International Feature Film (streaming on Hulu), opens with the chords of the Russian national anthem. The director was five or six years old when his father, Sergei Mikhalkov, first co-wrote the lyrics for the anthem, which included praise for Lenin and Stalin. Decades later, Mikhalkov rewrote the lyrics to remove Stalin, and, in 2000, immediately after Vladimir Putin became President, Mikhalkov, then in his eighties, rewrote the lyrics yet again, omitting Lenin and, for the first time, invoking a supreme deity rather than a cult of personality: “From the southern seas to the polar edge / Our forests and fields have stretched. / You are the only one in the world! The only one like this / Our native land, protected by God.”

Movies reviewed: Dear Comrades! and 17 Blocks

Dear Comrades! Photo: Courtesy Roxie Theater Retirement isn’t for everyone least of all, it seems, for film directors. Roman Polanski wrapped 2019’s J’Accuse when he was 86 (whether, as suggested, it’s his last feature remains to be seen); Jean-Luc Godard directed his most recent film at 88, and Portuguese filmmaker Manoel de Oliveira put them both to shame by working into his 104th year. In comparison, Andrei Konchalovsky is a sprightly youngster. His brief and only marginally successful Hollywood career now well in the rear-view mirror (remember Tango & Cash and Dorogie tovarishchi ( Shot in academy ratio and in black and white,

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