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Doc Talk: Oscar short-list shortcomings; doomsday scenarios By Peter Keough Globe Correspondent,Updated February 11, 2021, 12:00 p.m. Email to a Friend Mayor Martin J. Walsh at the Greater Boston Food Bank, as seen in Fred Wiseman s documentary City Hall. Courtesy of Zipporah Films Inc. The competition may be tough, but leaving Fred Wisemanâs âCity Hallâ out of the best documentary Oscar short list is unforgivable. Sorry, his 2017 honorary award doesnât cut it. That aside, the documentary committee acquitted itself decently, which is probably not so great an accomplishment given the bounty to choose from (238 documentaries qualified for Oscar consideration this year, breaking the previous record of 170). Those that made the cut and received nominations are: âAll In: The Fight for Democracy,â âBoys State,â âCollective,â âCrip Camp,â âDick Johnson Is Dead,â âGunda,â âMLK/FBI,â� ....
Identifying Features. Photo: Courtesy Kino Lorber If you read my ‘Favorite Films of 2020’ column late last year, you know how much I admired my number one film, Buoyancy. A bleak tale of 21st century slavery in Southeast Asia, the film depicted terrible events in fraught scenes that wouldn’t seem out of place in a horror film. Though taking place half a world away, I couldn’t help but be reminded of Buoyancy as I watched Sin señas particulares ( Identifying Features, streaming via the Virtual Roxie and Pacific Film Archive). Despite being a neo-realistic examination of 21st century life in what we still disparagingly refer to as ‘the developing world’, the film successfully adapts horror genre tropes to an otherwise grimly believable tale. ....
A haunting and beautifully realized film, Identifying Features (Sin señas particulares) is a meticulously constructed work that teeters on the edge of magical realism. It tells a story of one mother s journey to find her son who has disappeared while attempting to cross the border from Guanajuato, Mexico into the United States. Magdalena Loredo Martinez, played with resolute grace by Mercedes Hernández, must navigate a hostile and tedious world to find her son, even as no one else cares about what happened to him. It seems hopeless and likely futile for Magdalena as she retraces her son s steps from bus stations to shelters, but she remains dogged in her determination. ....