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Little Oblivions, is a statement of intent. Throughout her 2015 debut, Sprained Ankle, and its excellent follow-up, Turn Out The Lights, sparsity was the watchword. If you ve ever been to one of her intimate live shows, you ll know this: alone on stage, she uses only a guitar, a keyboard and a loop pedal. It means that her heart-on-sleeve lyrics – which are forthright about addiction and depression – stand out above all else. Take her biggest hit, Appointments , a heartbreaking self-doubt ballad whose stunning crescendo is achieved solely with a switch to a near-scream – there is little to no instrumental differentiation.  But “Hardline” is different. It opens with the jarring rip of a synth, before drums begin to bleed in ahead of the chorus. All of a sudden, she s playing with a full band, or at least the illusion of one (Baker still played all the instruments on the record herself) and it bangs. What s most impressive, is that nowhere on

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