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, in the gallery, on the west side of the museum, there is a room with a taxidermy bison. if you look to the left of the bison, there are a couple cases. one of them is a case of artifacts related to the battle of the little bighorn. aside that case, there is firearm, a springfield, acquired from a native named little moon. you can look at that object and contemplate how it changed hands, the travels that it took prior to that and the ways that might help us think differently about history i nthn the west. coincidentally, in the west, there is a small macabre basket. talk, you wills be able to look at those objects differently. maybe the objects will help you reflect on the talk differently. i think i was going to say something about trends in , and about how different authors have been rethinking this, but i think it will come up. i will skip that part. it is part of a new wave of history that thinks about native geopolitics differently. other histories, violence is ....
downstairs, in the gallery, on the west side of the museum, there is a room with a taxidermy bison. if you look to the left of the bison, there are a couple cases. one of them is a case of artifacts related to the battle of the little bighorn. inside that case, there is a firearm, a springfield, acquired from a native named little moon. you can look at that object and contemplate how it changed hands, the travels that it took prior to that and the ways that might help us think differently about history in the west. coincidentally, in the west, there is a small macabre basket. maybe after this talk, you will be able to look at those objects differently. maybe the objects will help you reflect on the talk differently. i was going to say something about trends in historiography, and about how different authors have been rethinking this, but i think it will come up. i will skip that part. it is part of a new wave of history that thinks about native geopolitics differently. ....
one hour 15 minutes. one note of introduction. since we are here at a museum, which is a slightly different venue than a library or university, i want to put in your mind couple of objects that you can see when you go to the gallery s today. downstairs, in the gallery, on the west side of the museum, f you go down stairs and turn right, there is a room with a taxidermy bison in that room. if you look to the left of the bison, there are a couple cases. one of them is a case of artifacts related to the battle of the little bighorn. inside that case, there isa a firearm, a springfield, acquired lacada fighter named little moon. you can look at that object and contemplate how it changed hands, the travels that it took prior to that and the ways that might help us think differently about history in then the west. coincidentally, in the west, there is a small macabre basket. the washington olympic peninsula made of seaweed and one work of art. maybe after this talk, you wil ....
committing one? he told me, well, you do it like dexter . you ve seen that show dexter. this is all modeled off that. when you take a step back you realize this is a real man who s been murdered. the script was darker than anyone knew. i go, holy mackerel. who are you really? everyone was on the edge of their seat. an underground parking garage. you re watching a violent attack caught on tape. who is this? what s happening? or did it happen at all? cut. movies like that one are by design deceptive, make believe worlds, but have you noticed maybe it s all the technical do-dads, the digital cameras, the reality twisting editing. some of the stories that claim to be true aren t. anybody can manipulate reality. sometimes what they say is true isn t. sometimes fiction turns out to be fact. and then there are stories, just a few, in which fact and fiction fuse. that s where we re going tonight. a twilight zone world of illusion and deception and dec ....
committing one? he told me, well, you do it like dexter . you ve seen that show dexter. this is all modeled off that. when you take a step back you realize this is a real man who s been murdered. the script was darker than anyone knew. i go, holy mackerel. who are you really? everyone was on the edge of their seat. an underground parking garage. you re watching a violent attack caught on tape. who is this? what s happening? or did it happen at all? cut. movies like that one are by design deceptive, make believe worlds, but have you noticed maybe it s all the technical do-dads, the digital cameras, the reality twisting editing. some of the stories that claim to be true aren t. anybody can manipulate reality. sometimes what they say is true isn t. sometimes fiction turns out to be fact. and then there are stories, just a few, in which fact and fiction fuse. that s where we re going tonight. a twilight zone world of illusion and deception and dec ....