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still ouch. you know. you have the ridiculist. i have the absurd-u-chart. how do you keep going? though you re in comedy, you re doing the same pace as we are in news. five nights a week, an hour a night. in comedy, you normally, people spend all day, or in some cases if they only have one show a week, all week, writing the material and thinking it and honing it. you have to change stuff 15 minutes before air, 5 minute before air. right. we have a sense of what the things people are talking about because we want to talk about what people are talking about. i m not here to educate the audience, i m here to, like, give our opinion, like a long editorial is what it is. and that can all be thrown out the window, even though we have a plan starting, like, 10:30 in the morning, we have a general plan. right. many the times, as you know,
I have the absurabsurd-o-chart. how do you keep going? though you re in comedy, you re doing the same pace as we are in news. five hours a night in comedy, you normally, people spend all day, or in some cases if they only have one show a week, all week, writing the material and thinking it and honing it. you have to change stuff 15 minutes before air, 5 minute before air. right. we have a shense of what the things people are talking about because we want to talk about what people are talking about. i m not here to educate the audience, i m here opinion, lik editorial is what it is. and that can all be thrown out the window, even though we have a plan starting, like, 10:30 in the morning, we have a general plan. right. many the times, as you know, and it s only accelerating. right. it also feels at 4:30, i go on at 5:30.