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A host of fantastic films, awesome new albums and spectacular stage performances - they are all featured in our critics picks of the best of film, music and theatre.
A host of fantastic films, awesome new albums and spectacular stage performances - they are all featured in our critics picks of the best of film, music and theatre.
Spring brings renewed energy into the year. There isn’t a better moment for the Royal Shakespeare Company’s recently appointed Co-Artistic Directors Daniel Evans and Tamara Harvey to launch their vision for the organisation. Led by a big name that will attract new audiences who are probably younger than your typical RSC crowd, we hope Love’s Labour’s Lost is setting the tone for what’s coming. If this opening is anything to go by, this upcoming era seems to be adopting Shakespeare for a contemporary audience while maintaining the reverence for the language and the pomp of tradition.
Emily Burns’ modern-day romcom, set on a Pacific island retreat, ramps up the silliness and makes accessible the text’s cloud-parting power and wordplay