Getting colder sha la la la la sha la la la la la sha la la la la sha la la la la la la anthony: what do you need to know about tokyo? deep, deep waters. The first time i came here, it was like it was a transformative, uh, experience. It was a powerful and violent experience. It was as if it was just like taking acid for the first time. Meaning, what do i do now? i see the whole world in a different way. Um, i often compare the experience of going to japan for the first time, going to tokyo for the first time, uh, to what what eric clapton and, uh, pete townsend must ve gone through. The reigning guitar gods of england. What they must ve gone through the week that jimi hendrix came to town. You hear about it, you go see it. The whole a window opens up into a whole new thing. And you think, what does this mean? what do i have left to say? what do i do now? welcome to tokyo. You are not invited. This is the other tokyo. 12 hour flight, and i m baked. No sleep. Might as well must go out
your body that it s dying on the permafrost, causing it to kick loose all sorts of emergency, lifesaving, anti-inflammatory proteins, after which you are supposed to feel better. - oh, god! - if your fingers and penis don t shatter like hummel figurines. - oh, god! - you did it. - ohh. - watch your head. - all right! - take it off. [sighs] - well, how do you feel? - good luck. i m dying. in a good way though. - all right, so step right in? - you ready, sir? - no, i m not ready. i don t like the way he looks. he looks unhappy. all right? - it s all right. - [groans] - did you notice how, like, the last 40, 50 seconds were the coldest? - yeah. - pretty much his whole session s gonna be like that last 40 to 50 seconds. - oh, great. - the whole session because you re going second. - oh, yeah. that s uncomfortable. - yeah, you re already at negative 306. - oh, yeah, that s bad. that s bad. that s not good. - you can do it. - [groans] - you feeling all right? - n
[ laughter ] [ cheers ] i took a walk through this beautiful world felt the cool rain on my shoulder found something good in this beautiful world i felt the rain getting colder sha la la la la sha la la la la la sha la la la la sha la la la la la la chef: what if we just get dino s and go to edgefield, then go to robert s? chef 2: edgefield closes at midnight. chef: you gotta see have you been to robert s? chef 2: but dino s definitely anthony: i haven t been anywhere. chef 2: starter and that s it. anthony: i saw the hotel. the [ bleep ] do i know? [ laughter ] patrick martin: hold on, time out. stop, stop, stop. you ve never hung in nashville? anthony: no. martin: you re gonna have a fun time. anthony: i have no doubt. [ laughter ] anthony: nashville. if you haven t been there, you probably know it as what? a country music capital, grand ole opry, and it is music city. and there is indeed plenty of country music, bot
here in a society of tight places. the pressure is on. to keep up appearances. to do what is expected. to not let the life become exterior. at night, things are different. what you need to know about tokyo? deeper waters. the first time i came here. it was a transformative experience. it was powerful experience. it was as if it was just like taking acid for the first time. meaning what do i do now. i see the whole world in a different way. i often compare the experience. going to tokyo for the first time. to what eric clinton and pete townsend must ve gone through. the raining guitar gods of england. what they must have gone through the week jimi hendrix came to town. you go see it. the whole window opens up. a whole new thing. you think, what does this mean? what do i have left to say. what do i do now? welcome to tokyo. you are not invited. this is the other tokyo. a 12 hour flight and i am baked. no sleep. must go out. the district near my hotel has the advantage of
tokyo s willing cog, in an enormous machine requiring long hours, low pay, total dedication. and sometimes, what s called karoshi, death by overwork. here in a society of tight spaces and many expectations, the pressure s on. to keep up appearances, to do what s expected. to not let the interior life become exterior. but at night, things are different. what do you need to know about tokyo? deep, deep waters. the first time i came here, it was like it was a transformative, experience. it was a powerful and violent experience. it was as if it was just like taking acid for the first time. meaning, what do i do now? i see the whole world in a different way. i often compare the experience of going to japan for the first time, going to tokyo for the first time, to what eric clapton and pete townsend must ve gone through, the reigning guitar gods of england, what they must ve gone through the week that jimi hendrix came to town. you hear about it, you go see it, the whole